Fidele Chapter 24

Jul. 25th, 2017 06:01 pm
misslucyjane: (tardis - public phone box)
[personal profile] misslucyjane
Fidele (108709 words) by misslucyjane
Chapters: 24/?
Fandom: Original Work
Rating: Explicit
Warnings: No Archive Warnings Apply
Relationships: Original Male Character/Original Male Character
Additional Tags: Romance Novel, Paranormal, PTSD, Hauntings, Kid Fic, Drug Use
Summary:

A house full of ghosts is no place to fall in love.

Malcolm Carmichael has been coping with his post-war trauma by taking lovers, teaching art to schoolboys, and trying to ignore the ghosts he sees everywhere. At the death of his mother, he realizes he wants more than just to coast on by, and leaves the exclusive school in search of something more.

Caleb Thibodeaux was so traumatized by the death of his parents in a fire that he hasn't spoken a word since. His uncle Noel hires Malcolm to be his tutor, and Malcolm discovers that Caleb is not the only Thibodeaux son with secrets. The plantation house Fidele is beautiful but haunted, and Noel is much the same.

Soon Malcolm is absorbed in protecting Caleb and Noel from threats both living and dead, and in uncovering the story of Fidele.



Read at AO3 or JennaLynnBrown.com

(no subject)

Jul. 20th, 2017 05:36 pm
skygiants: Fakir from Princess Tutu leaping through a window; text 'doors are for the weak' (drama!!!)
[personal profile] skygiants
Death of a Pirate: British Radio and the Making of the Information Age is a fairly fascinating book that's trying to do a lot of things at once: the book starts out with the dramatic recounting of MURDER!!! and then immediately takes, if not a deep dive, at least a vigorous swim through such varied topics as the history of British radio and the BBC, Keynesian economic philosophy, copyright limitations, and the founding of Sealand in order to contextualize it.

Once we get back to the story of the murder itself, however, it turns out: IT'S BONKERS. The principals in the case are two pirate radio impresarios in 1966. Oliver Smedley, An Ardent Free-Trade Capitalist, was running a station called Radio Atlanta on a boat off the coast; Reggie Calvert, A Dance Hall Impresario, had taken over an entire abandoned British navy fort called Shivering Sands in the Thames Estuary and staffed it with a rotating encampment of youths running a station called Radio City. At one point Smedley and Calvert were going to have a merger, but then they had an ACRIMONIOUS BREAKUP spurred on in part by:

- the fact that Smedley was supposed to give Calvert a shiny new transmitter and instead provided an old one that never worked
- the fact that Smedley never paid all the bills he had promised Calvert that Radio Atlanta would pay
- the fact that Calvert got sick of all this and decided to merge with another station instead

The reason for all these pirate radio stations on boats and naval forts, by the way, is because in 1966 there was no legal pop radio in the UK (as explained, extensively, via the history of radio and Keynesian economic theory etc. that makes up the first half of the book). Because the pirates were technically outside of UK territory, on the other hand, they could technically get away with doing whatever they wanted, or at least the government like "it will be way too embarrassing to launch a huge naval raid against a bunch of youths on was a fort with a radio transmitter, so let's not."

HOWEVER, the fact that everything was happening outside of territorial waters where British laws and police had no jurisdiction BACKFIRED when:

- Ardent Free-Trade Capitalist Smedley decided he was so mad that Calvert had made a deal without him that he was going to MAKE SURE that the deal could never go through
- he was going to GET BACK HIS PROPERTY [the transmitter that had never worked]
- so he sent an ACTUAL OCCUPYING FORCE composed of out-of-work dockworkers to Shivering Sands, stole a bunch of key broadcasting equipment, took a bunch of it back to the mainland, and left a bunch of toughs to hold everybody who was on the station at that time hostage!!!
- (when they met the invading force, the hostage broadcasters were like 'welp' and made everybody tea)
- ("the vessel had to return briefly to pick up [the contractor who recruited the gang], who had been left behind drinking his tea")
- and then Smedley went to Calvert and his partner, an actual professional broadcaster, and was like 'I will not let you broadcast from there again or finish making your deal unless you pay me FIVE THOUSAND DOLLARS'

Naturally, everyone involved was like 'wtf????' and refused to pay Smedley a dime; Calvert threatened to involve the police but the police were like 'ummmmmm technically we can't do anything for the same reasons we haven't been able to stop you from broadcasting;' Calvert then made a whole bunch of other even wilder threats; and all the hired dockworkers sat around cheerfully charging Smedley for hostaging operations which he was rapidly running out of money for.

Anyway, in the middle of all this, Calvert drove out to Smedley's house in the middle of the night and started screaming at him, and Smedley shot him and then claimed self-defense and that his HOSTILE OCCUPATION OF A POP RADIO STATION was just a little joke gone wrong! No harm no foul if only Calvert hadn't been so UPSET about it! It did help Smedley's self-defense case that Calvert happened to be carrying A FAKE PEN FULL OF NERVE GAS at the time, which apparently, according to his family, he always carried around just for safekeeping.

...so the author's point in writing about all this seems to be that a.) this incident was crucial in getting the pirate radio boats shut down and the formation of the current BBC radio system that includes actual pop radio, b.) that this is all a forerunner of later copyright battles and offshore data centers and so on, c.) pirate-radio-on-boats in the 1960s was a WILD TIME. About the latter, at least, he is most surely not mistaken.

(This has nothing to do with the main brunt of the book but I have to spare a mention for Radio City's chief engineer, who later was hired by the mob! to perform an assassination attempt!! using a spring-loaded hypodermic needle full of cyanide!!! in what it turns out was ACTUALLY a sting operation by the U.S. Treasury department who picked the hapless Radio City engineer to act as the assassin because "he needed the fee while being clearly incapable of killing anybody"!!!! This whole incident gets two pages in the book because it's somewhat irrelevant to the author's argument but seriously, where is this guy's movie?

For the record, the same mobsters then tried to intimidate Reggie Calvert's widow into selling them the remnants of the station and she was like 'lol no' and they were like '....well, when a lady knows her own mind, she knows her own mind! No hard feelings.')

(no subject)

Jul. 17th, 2017 08:54 pm
skygiants: C-ko the shadow girl from Revolutionary Girl Utena in prince drag (someday my prince will come)
[personal profile] skygiants
[personal profile] genarti read The Privilege of the Sword for the first time recently, because I had been telling her to since 2008, and then kept trying to talk to me about it. Unfortunately at this point I did not remember most of the things she was trying to talk to me about because I hadn't read it since 2007, so eventually I also had to reread it in self-defense.

It turns out this is still and probably will always be my favorite Ellen Kushner book. The central plotline follows Katherine, a cheerful young lady who gets invited to restore the family fortunes by going to live with her incredibly weird uncle in the big city and becoming a swordsman!

Unlike many plucky heroines, Katherine does not initially have really any interest at all in cross-dresing or becoming a swordsman. However, eventually she comes to enjoy swordfighting for its own sake, helped along by the mentorship of her incredibly weird uncle's nice ex-boyfriend, the necessity of dueling for a friend's honor, and the discovery that bisexuality and gender fluidity are potentially relevant concepts to her teen coming-of-age story.

...that's the A-plot! B, C, D, E, and F plots include:

- Katherine's mom's reparation of her relationship with Katherine's weird uncle
- Katherine's weird uncle's actress girlfriend's dreamy new cross-dressing fantasy Broadway show
- Katherine's weird uncle's unfortunate friendship breakup with his mathematician bestie
- Katherine's bff's attempts to overcome trauma from rape-by-fiance by engaging in romantic gay roleplay via letter-writing
- Katherine's other bff's attempts to overcome trauma from an abusive childhood by engaging in competitive voyeurism
- Katherine's bff's gigolo cousin's star-crossed romance with a scriptwriter/potter who is on the run from her abusive in-laws who do not appear in this book
- trade routes?? politics?????

I'm pretty sure that's not all the plots. There are so many plots in this book. It's fine because the plots are barely the point at best, the point is coming-of-age and life after trauma and thumbing your nose at Societal Conventions while getting to know and like yourself! I especially enjoy how in the end, spoilers )

(Note: emo murderous Alec from Swordspoint drives me up a wall in his own book, but is significantly more tolerable to me when he's just Katherine's incredibly weird uncle. I mean he still drives me up a wall here but it's much funnier when he's driving everyone else up a wall too.)

(no subject)

Jul. 16th, 2017 09:37 am
skygiants: Nellie Bly walking a tightrope among the stars (bravely trotted)
[personal profile] skygiants
Rose Melikan's The Blackstone Key is one of the few books I've grabbed at random off a library shelf recently without ever having heard of it. Then I immediately grabbed the next two books, The Counterfeit Guest and The Mistaken Wife, so I guess they were doing something right, although also several things not right.

These books are deeply fluffy YA-ish Regency espionage hijinks starring Mary Finch, an impoverished orphan schoolteacher turned (by the end of the first book) surprise heiress with an unexpectedly encyclopedic knowledge of British law and an enthusiastic penchant for Adventures! !! !!!

Captain Holland, the series love interest, is an artillery officer who is good at mechanics and up on new military technologies. Other salient characteristics include:
- a terrible tendency towards sea- and carriage-sickness
- an ongoing resentful inability to understand all the clever literary and historical references being tossed around by the rest of the characters
- CONSTANT MONEY STRESS

I'll be honest, he won me over during the first book when Mary's like "am I a bad person for worrying about how the outcome of all this espionage will affect my potential inheritance?" and he's like "DEFINITELY NOT, if anybody tells you they don't stress about money THEY ARE LYING."

Rose Melikan is a scholar of the period and very good on British military history. She is not so good on plot. The first book is complete, hilariously convoluted nonsense involving SMUGGLERS and CIPHERS and MYSTERIOUS WATCHES and a SURPRISE CHANCE-MET DYING VILLAIN. It turns out that spoilers )

The second book is probably my favorite and definitely the least nonsense plot-wise; it's about the 1797 naval mutinies, and Our Heroine gets recruited to spy on a plotter because she happens to know his wife and will likely be in his house, which does not stretch suspension of disbelief too very wildly. (It's also sort of entertaining to watch the author do a careful dance between what I suspect is a personal sympathy for unionization and strike tactics and the fact that Mass Military Mutiny Is Definitely A Bad Thing, Our Characters Must Stop It At Any Cost.)

...then in Book Three we are expected to believe that an actual professional spy sees no better alternative for an important espionage mission than taking a well-known youthful heiress and society figure whose salient skills are, as aforementioned, a knowledge of British law and an enthusiasm for Adventure, and sneaking her off to Paris in a fake marriage with a clueless American painter while her respectable household desperately tries to pretend she's in London the whole time. At this point suspension of disbelief goes straight out the window again.

I have mixed feelings about Book Three in general; it's the darkest of the three and several sympathetic characters die as a direct result of Our Heroes' espionage endeavors including infuriating spoiler ) I'm not here for that! I'M HERE FOR THE HIJINKS.

(no subject)

Jul. 12th, 2017 11:26 pm
skygiants: Hazel, from the cover of Breadcrumbs, about to venture into the Snow Queen's forest (into the woods)
[personal profile] skygiants
With Sorrow's Knot I think I have now finished reading everything from Erin Bow's backlog, which is good in that I have consistently enjoyed it all, but bad in that I have no more Erin Bow backlog.

All of Erin Bow's work (I can now say, having read all of it) is in some way about death and undeath and the wildly unhealthy ways in which human beings react to loss; however, Sorrow's Knot is EVEN MORE explicitly about this than most. The book focuses on Otter and her friends Kestrel and Cricket, who are all pretty sure they know what they're going to do when they grow up: Kestel is going to be a ranger, Cricket is going to become a storyteller (despite being a boy and getting a certain degree of side-eye for deciding to stay in the women's village at all -- everyone knows it's dangerous in the forest and boys don't have any power to protect themselves with, sorry boys!), and Otter is going to train with her mother Willow and Willow's teacher Tamarack to learn the very important job of being a binder, aka Person Who Stops The Dead From Coming Back And Killing Us All.

Then Tamarack dies -- and then Willow abruptly and without explanation decides she doesn't want Otter becoming a binder after all -- and then the knots that stop the dead from coming back to haunt the living begin unraveling -- and then more people die -- and then Otter and friends get to go on a road trip! It's not a super fun road trip and it unsurprisingly features several close encounters with the dead.

I really liked the worldbuilding and the slow and careful work that Bow does to build out the daily lives of the characters and the culture -- it's a North American-based world without European influence, and I'm certainly not qualified to comment on how well it's done, but to me it felt interesting and non-obvious. Also, Otter's world is almost entirely composed of women and everything revolves around Significant Mother-Daughter Relationships and it's great, although Erin Bow sadly had not yet discovered lesbians as of this book. (Though I feel like perhaps this is the book that led to her discovering lesbians? Like, I do wonder if someone came up to Erin Bow and pointed out that she'd written a matriarchal village where Actual Heterosexual Romance is explicitly rare and still somehow only featured Actual Heterosexual Romance onscreen, and Erin Bow was like 'WHOOPS OK SORRY I'LL MAKE IT UP TO YOU' and then we got The Scorpion Rules. Which, I mean, if this is the case, I guess I'm not complaining, I'm very happy to have The Scorpion Rules!)

I also really liked the importance of stories and storytelling and lore and bits and pieces of information shared and not shared, but the pacing of the way those stories are shared with the reader sometimes felt a little off to me; there were occasionally times, especially towards the end, when I felt like the book was leading me to expect a Big Reveal that had already been revealed. But, I mean, the point of the book is not really to Reveal, it's to examine grief -- and as I have mentioned above, Bow is exceptionally good on grief.

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